Description
DDA DM16 – 16 Input Analogue Live and Studio Mixer with MIDAS Microphone Preamplifiers
The compact DDA DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability. What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the Powered by MIDAS DM16!
Live Performance and Studio Recording
With 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.
MIDAS – The Legend in Sound Quality
Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry’s best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.
DDA is proud to incorporate MIDAS designed mic preamps for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS’ amazing legacy by visiting their extensive website.
Dedicated Stereo Inputs
Line channels 13/14 – 15/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.
Sublimely Musical British EQ
The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to fine-tune the ideal signal. Even when applied generously, these equalisers exhibit sweet forgiveness and superb audio quality.
Dual Aux Sends
The DM16 is also equipped with 2 aux sends with pre/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.
Classic Precision
All of DM16 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.
Features
- Live performance and studio recording analogue mixer with 16 input channels
- 12 mono input channels with award-winning MIDAS microphone preamplifiers
- 2 electronically balanced stereo line input channels on 1/4″ TRS connectors
- 3 band EQ on mono channels with swept mid band
- 2 aux sends with pre/post fade switching
- 60 mm precision long-life faders
- Rugged chassis construction for durability in portable applications
- Auto-ranging universal switch-mode power supply
- 3-Year Warranty Program*
- Designed and engineered in England
Specifications
Mono Inputs
| Mic inputs (MIDAS mic preamp) | 12 |
| Type | XLR, balanced |
| Mic EIN @ 60 dB gain, 50 ? source at insert send | -131 dBu, unweighted, 20 Hz to 20 kHz |
| Mic EIN @ 60 dB gain, 150 ? source at insert send | -128 dBu, unweighted, 20 Hz to 20 kHz |
| Noise @ 10dB Gain, at insert send | -97 dBu, unweighted, 20 Hz to 20 kHz |
| Frequency response (-1 dB) at main output | 20 Hz to 20 kHz (-1 dB) |
| Frequency response (-3 dB) at main output | 70 kHz (-3 dB) |
| Mic Gain range | +10 dB to +60 dB |
| Max. input level | +11 dBu @ +10 dB gain |
| CMRR @ +60dB gain | Typically -90 dB |
| Impedance | 2 kΩ, balanced |
| Distortion (THD+N) at 0 dBu | 0.005% @ 1kHz |
| Phantom power | Switchable, +48 V |
Line Input
| Type | ¼” TRS, balanced |
| Impedance | 20 kΩ balanced / unbalanced |
| Line Gain range | -10 dB to +40 dB |
| Max. input level | +30 dBu |
Stereo Inputs
| Type | 4 x ¼” TRS connector, balanced |
| Impedance | 20 kΩ balanced / unbalanced |
| Gain range | -20 dB to +20 dB |
| Max. input level | +21 dBu |
Equaliser
| Low | ±15 dB @ 80 Hz, shelving |
| Mid (mono inputs only) | ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric |
| High | ±15 dB @ 12 kHz, shelving |
Channel Inserts
| Type | ¼” TRS connector, unbalanced |
| Max. input / output level | +21 dBu |
Aux Sends
| Type | 2 x ¼” TRS connector, balanced |
| Impedance | 240 Ω balanced, 120 Ω unbalanced |
| Max. output level | +21 dBu |
Monitor Out
| Type | 2 x ¼” TRS connector, balanced |
| Impedance | 240 Ω balanced, 120 Ω unbalanced |
| Max. output level | +21 dBu |
Main Out
| Type | 2 x XLR, electronically balanced |
| Impedance | 100 Ω balanced, 50 Ω unbalanced |
| Max. output level | +21 dBu |
Main Out Inserts
| Type | 2 x ¼” TRS connector, unbalanced |
| Max. input / output level | +21 dBu |
Phones Output
| Type | ¼” TRS connector, unbalanced |
| Impedance | 25 Ω |
| Max. output level | +21 dBu |
2-Track Input
| Type | 2 x RCA, unbalanced |
| Impedance | 20 kΩ |
| Max. input level | +21 dBu |
Record Out
| Type | 2 x RCA, unbalanced |
| Impedance | 1 kΩ |
| Max. output level | +21 dBu |
Main Mix System Noise
| Main mix @ -?, channel fader @ -? | -104 dBu, unweighted, 20 Hz to 20 kHz |
| Main mix @ 0 dB, channel fader @ -? | -91 dBu, unweighted, 20 Hz to 20 kHz |
| Main mix @ 0 dB, channel fader @ 0 dB | -84 dBu, unweighted, 20 Hz to 20 kHz |
Power Supply / Voltage (Fuses)
| Switch mode power supply | 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V) |
| Power consumption | 40 W |
| Mains connection | Standard IEC receptacle |
Dimensions / Weight
| Dimensions (H x W x D) | 95 x 438 x 370 mm (3.7 x 17.2 x 14.6″) |
| Weight | 5 kg (2.3 lbs) |
